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Tuesday, November 25th, 2008 09:18 am
Oh, this does make me happy.  The Sony "Hot Ticket" Rent performance that was shown in movie theaters on limited nights (which I missed =P) is going to get a DVD release.

http://news.yahoo.com/s/playbill/20081124/en_playbill/123645

I think this movie-theater/dvd-release combo has so much potential to give theater-goers outside of the major theater hubs a chance to make Broadway a part of their lives again, so I hope it does well enough that it eventually trickles down to shows that aren't the big phenoms like Rent.

In other news... )
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Monday, June 16th, 2008 08:25 pm
 I'm in paroxysms of happy this week because I actually got ahold of a boot of the new Martin Guerre production that played in a regional theater in the U.K. last year.  I didn't learn about it until after it had finished it's run, and it being an outside-London production for a not-terribly-popular show, I didn't think I had very good chances of finding one... so YAY!

Couple notes:
- According to descriptions I've read, the show apparently took the John Doyle approach and had the actor's playing instruments instead of using a traditional orchestra.  You can definitely hear the difference... It all feels a bit ham-handed from the audio.  I definitely miss the big, swelling orchestra, though I suppose you could make a case for it sounding more rustic this way, which works for a show about peasants.

- It's really been interesting watching this show change over the years.  The original West End production was constantly being adjusted for at least its first six months, and then the UK tour gave it a rather large overhaul, with further tweaks for the U.S. tour.   As they progress, the basic structure doesn't change a lot, but you can definitely see the creative team figuring out what works, and this show is probably the best so far in terms of general flow.  The characters are better defined right from the opening number and the key plot points seem cleaner and better served by the songs (there are quite a few improvements in the lyrics, too, imo... not as trite and "Hallmark"-y, to make a gratuitous Forbidden Broadway reference. =P)

- Probably the *best* improvement in this version is the re-purposing of the song "Live With Somebody You Love" that was added in the UK tour.  They've moved it from being a rather redundant Arnaud / Martin moment to being the main Arnaud / Bertrande theme... sung by the two of them when they first admit that they're falling in love with each other, and reprised at the end of both acts.  After seeing the show struggle for so long to find the right lyrics for the original "All I Know" tune that served that purpose, I'm really happy that they've finally got something that works! :)

-  Writing "Arnaud / Martin" in the paragraph above, my head did *not* just go to naughty slashy places.  No, it did not.
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niko: (Title of Show)
Friday, March 7th, 2008 10:52 am
Technically, I wish I'd noticed this before I bought my plane tickets, but this is still uber-squee-worthy.

I just noticed that Lauren Kennedy is doing a show at the Menier Chocolate Factory the same day that I'm in London!  I adore her two solo recordings more than is probably healthy, and to see her perform some of these songs live *on top* of the thrill of William Finn music w/Frances Ruffelle is just the happiest coincidence ever.   :)

If I'd known in advance, I'd have gone over a day early and done one show each night, as doing a matinee and evening show is going to cut into the *one* day I have there quite a bit... but I'll survive.

 
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Friday, February 1st, 2008 10:07 am
 Ugh.  Is it evil to blow more than a thousand dollars to go to London *just* for a weekend and *just* to see a show?

Considering my current finances... yes.  :(

I'm a big William Finn fan, and I was crazy mad that I didn't get to NYC to see his new "Make Me a Song" revue.  Now I hear that it's popping up over in London, and not only that, but Frances Ruffelle is going to be in it!   Frances Ruffelle, who I adore, and who inspired my first to the U.K. back when she returned to Les Miz in 1996/1997.

If I hadn't just done France this past September, I'd be jumping on this with both feet and making a major trip of it, but I'm going through some financial regrouping right now (thanks in no small part to the France trip) and the show is only playing for the month of March, so there's no time to really get things settled properly before I'd need to commit.  I'm still considering just making a fling of it and flying over for a couple days, but whether I stay for a weekend or two weeks, the airfare is still a killer.  *sigh*

Gawd, I need to stop paying attention to theater news.  It just makes me sad.
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Saturday, December 22nd, 2007 02:16 am

 Haven't posted in a while.  So... some random.

Went to see Sweeney Todd tonight.  There was a point early on (up to and during The Worst Pies in London, mostly) where I thought it was going to fall totally flat for me, but things improved drastically.  I think Sondheim's style of really weaving of the songs through scenes worked *really* well in movie format... at least as Tim Burton did it.  There comes a point where you stop noticing the line between spoken dialogue and song and the whole thing has this beautiful flow to it.  *happy sigh*  On the gore front, at least the throat slitting was pretty obvious about what was coming so I had a chance to squinch my eyes a bit instead of actually watching.  I *really* could have done without the way we also got a shot of each and every corpse dropping head-first down Sweeney's chute to splat in the basement.  Ugh.  But again, easy enough to look away for.  Overall, I left the theater with my "just saw a live show" natural high, so excellent movie! :)

THIS is the best practical joke ever.  :)  Not sure it's worth $400 (and counting?) though.

Had my first ever snafu with ordering-by-mail for Christmas gifts, and I'm stewing a bit over it.  Ordered a couple small trick-boxes from Bits and Pieces last weekend that were going to be used as gift-card-delivery mechanisms.  I hate giving gift cards, so always try to have some little token to go along with the cards.  I get notified at 5:45 PM on Friday that they haven't even *shipped* the items yet and there's no way to get them to me by Christmas.  My focus has turned to making sure that they *don't* ship it now, as the shipping to me and back is going to be practically as much as the gift itself, and it's got me in a tiff to have to pay that for a package that I know in advance is not going to be useful to me.  Been trying to get through to Customer Service all morning, and it keeps hanging up on me after five minutes on hold.  *sigh*

On the music front, I've very much been enjoying Savvy_Elf's Christmas music meme and Pandora internet radio.  I know there are other sites like Pandora (let you put in "seed" songs that you like, and it plays music that fits your tastes).  Pandora works the best for me of any of the stations like it that I've tried.  I love that you can click "Why are you playing this?" and get something like:  "Based on what you've told us so far, we're playing this track because it features mellow rock instrumentation, folk influences, mild rhythmic syncopation, acoustic sonority, and extensive vamping."   It's fun to see my music tastes broken down into their component elements like that. :)

 

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Thursday, April 5th, 2007 06:33 pm
SQUEE!!!

Pia Douwes has finally released a solo album.  What the hell took her so long?
niko: (Title of Show)
Wednesday, February 14th, 2007 02:21 pm
I've been getting periodically maudlin over not being able to get to NYC to see Studio 54's production of The Apple Tree.  (It's an old favorite of mine since my high school did the Adam & Eve portion many, many moons ago.)

But I may just be able to forgive them if they do bring over the London Sunday in the Park...    That's one I'll definitely need to make a trip for.

http://www.playbill.com/news/article/105736.html
niko: (Title of Show)
Monday, February 5th, 2007 08:16 am

http://www.broadway.com/gen/Buzz_Video.aspx?ci=543311

LOL!

Julie Andrews appeared as a guest speller in "The 25th Annual Putnam County Spelling Bee" to promote "Kids Night on Broadway", so of course, they had to throw a toughie at her... A very Mary Poppins-ish toughie. :)

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Monday, January 22nd, 2007 08:20 pm
Went to see The Light in the Piazza last weekend.  I was a bit disappointed because an understudy was in for Christine Andreas.  Not that the understudy didn't do a great job... it was just a "could've seen a performance by a 'big name' performer" moment.  Piazza really is a beautiful show.  I think I was expecting something kind of pretentious, but it was just sweet and touching and poignant.  My mom and I both thought the two father characters just about stole the show (even though Clara's father was only on-stage for about five minutes, there was a real honesty in those scenes that were what theater's all about to me).  

The weekend before last I had a "jewelry party" at my house... the first pseudo-entertaining I've done in a long time.  I don't even *wear* jewelry all that much, but a friend has started a career selling this stuff and she begged me to host a party so she could meet her quota.  I now have about $200 worth of free jewelry (due to hostess gifts) that are all very pretty but that will probably go into a drawer and be lucky if they're worn twice before I die.  =P

Dresden Files:  Entertaining.  I'll keep watching.  Lovin' Harry, although the episode did *way* not enough to establish his character or his wizardy cred, imo. Not sure how I feel about Murphy being a major player (judging by the previews that show her in some sort of danger next week) as I'd like to get to know Harry more before we start having secondary character drama muddling things up.  Some weird editing choices that left me kind of off-kilter as to how we got from Point A to Point B.  I've seen a lot of praise for the child actor, but I thought the actress who played his mom did a great job, too.  Much more real-mother feeling than most guest-star-of-the-week people.  (Assuming mom & kid aren't going to be recurring too often, I guess.)   Loved the execution of the Raven clan.  

I just caved in and bought the first Dresden book last week.  I'm glad to hear there are some pretty hefty differences in execution between the series and books, so I don't have to worry too much about the books feeling like a rehash of the series by the time I get to them.

Supernatural still rocks.  I love the little moments in the care where there's a disagreement and one of them looks like they have something to say, then backs off.  Such lovely, cuddly angstiness.  (The last episode closed on one of those moments, which is why it's in my head. :) )  

On other reading fronts:  I only have about 100 pages left of my TBR book for January.  It was looking a little dicey there for a while, but I should easily finish by the end of the month.  I also finished up the final volume of Kare Kano.  Vastly squicked by the concluding mini-story for Asaba.  I know there's a tendency to romanticize this sort of thing in shoujo, and the Japanese have a different viewpoint on it overall, but... no.  I'm doubly disappointed, too, just by the fact that his character got such a shaft, period.  Asaba got some really great supporting material at some pretty powerful moments, but never got his own time in the spotlight... and in the end, he still doesn't end up with his own life, but still dragging along on Arima & Yukino's coattails. The rest of the ending was good enough, but that Asaba stuff closes things out on a really sour note for me.

Con on the Cob is getting ramped up for next year.  Wish I could think of some activities to inject a little more anime-ness into things.
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Thursday, January 11th, 2007 08:50 am
Naked Boys Singing is headed for movie-dom.  

http://broadwayworld.com/viewcolumn.cfm?colid=14603

I am very much in favor.  

And in other news, I just watched the teaser for the next Fantastic Four movie.  I didn't see the first movie due to being a bit of a Jessica Alba non-fan.  Wasn't expecting to see the second movie for the same reason.  But that trailer made my Torch-Lovin'  little heart go *squee*.

^_^
niko: (Title of Show)
Sunday, December 10th, 2006 08:27 pm
Went to see the Ted Neeley "farewell" tour last night. My family always tries to go as a group when this show comes to town, and it was a really nice time. Dinner was delicious - an Italian restaurant I'd never been to, but that I'll definitely be visiting again - and the show was a little special this time because my four-year-old niece came with us. She just went to the ballet for the first time last week, and for both performances, she was a perfect little lady and really enjoyed herself. This is good news for me, the theater-junkie auntie. :)

Anyway, regarding the show... it was enjoyable enough. I think Ted Neeley was actually in better voice than when I've seen him in the past, and the rest of the cast were all good, but the staging and direction just felt a bit bland to me. I think this contributed to a general lack of chemistry, so the big Jesus/Judas and Jesus/Pilate confrontations didn't really spark the way they can when they're done well. As we were leaving the theater, most of my group were saying they enjoyed it a lot, but were a bit disappointed that some of the scenes didn't have the kind of energy we expect. Still, we definitely had a good time, and it was well worth the ticket price.
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Sunday, October 8th, 2006 11:45 am
Musicals:
I've fallen hard for [Title of Show]. I don't think there's been a moment in the last two weeks that I haven't had one song or another running through my brain. It's one of those shows that I just *must* see live...but it just *closed* last weekend, so I'm stuck. *sigh*   Anyway, I *highly* recommend the album! It's got a bit of an "Avenue Q" vibe in the irreverance and comedy of the piece, but it's a lot less cynical, overall, and definitely has its own charming voice.

I also picked up the new London Evita cast recording, and I'm afraid I'm a bit disappointed.  :(  I was really hoping that this would be my definitive Evita cast, because Matt Rawle (Che) was such an absolute cutie in Martin Guerre and Philip Quast can do no wrong.  There's nothing really terrible about this recording, but their Eva (Elena Roger) is actually from Argentina, and has the accent to prove it.  Since none of the other actors are singing in accents, it gets really distracting - especially in duets.  My brain has to keep shifting to compensate for the accent, and then back again when another performer is singing.   It makes it tough to just enjoy the music.

Reading:
Much to my surprise, I actually enjoyed The Glasswright's Test by Mindy Klasky quite a bit. This is the fourth book in a series where each book left me with just barely enough interest to pick up the next volume. Klasky's world-building is painfully clunky, and she gets downright Jordan-ish at times with her over-emphasis and repetition of cultural details that are nowhere near as interesting as she seems to think they are, but this time around, the storyline was engaging enough to make up for the irritating elements, and I found myself responding really well to some of her idiosyncrasies that in past books kind of rankled. The next book is also the *last* book, I believe, so I'm actually looking forward to finding out how she wraps it all up.
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Friday, August 18th, 2006 02:00 pm

I don't really use this LJ for theater stuff so often, but there's no reason why I can't. :)

Just saw this very interesting video about the musical version of "The Opposite of Sex".  I love that it's got some nice meaty content, not *just* the usual catch phrases and propaganda that you get in a lot of clips online.  Plus, I think the show looks much better than I expected.  Loved the movie, but didn't really know what to expect from the musical.

http://broadwayworld.com/viewcolumn.cfm?colid=11558

I also noticed on G4's coverage of ComicCon the other day (watching it OnDemand :) ) that the musical "Zombie Prom" that had several stage productions quite a few years ago now, has been made into an independent film.  The G4-guy was raving about it.  Interesting to see something that I saw get lukewarm response as a theatrical production achieve new life as a movie, since things seem to go the other way around these days.

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Saturday, May 13th, 2006 07:53 am
http://www.thepiratequeen.com/

I'd pretty much assumed that Boublil & Schönberg were out of the musical theater biz, since we haven't heard from them for such a long time since poor Martin Guerre's debacle.

I might see if I can get tickets. I flew all the freakin' way to London to see the OLC of Martin Guerre, I guess I can manage a 6-hour drive for this one.
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Thursday, March 30th, 2006 11:30 am

Hmmmm...haven't posted here in a while.  Here's another long ramble to make up for it.

Life in General
The last few weeks, I've had my first guilt-free veg out time after probably six months of nothing but work stress.  At first, it felt really weird...like my brain had forgotten how to just relax.  I've started making up for it with some heavy gaming, though... primarily Dragon Quest VIII and Sims 2.  DQ VIII was a great game!  I wasn't expecting much, because I was badly bored by the last one, but VIII has reaffirmed my faith in the franchise.  I just started Sims 2 for the first time last week, and that's owning my soul right now.  I think it's going to have some heavy competition from Kingdom Hearts 2, though.  

(Ack!  Just found out that Suikoden V came out recently, too!  It never rains but it pours.)

Con on the Cob is ramping up for Year 2, and it looks like we're going to be staking our claim as a serious convention with this one.  Big name guests and a "Savage Worlds" gathering that's being hyped in some big places.  I'm a little overwhelmed personally, but luckily I'm just one little cog. :) 

Otaku Stuff
Got some cool goodies in recently that I'm very happy with.  A ceramic Totoro music-box for my little collection, and my first ever order from Amazon.co.jp.  I got two Spiral artbooks (very pretty!), Salty Dog 4 (drop-dead gorgeous), a three-volume manga adaptation of "The Forgotten Beasts of Eld" (my favorite book ever), and a book of Hirashi Hirai illustrations.  The latter was of interest to me because I liked his work in Infinite Ryvius and Scr-y-ed, and there's good representation of those series in addition to Gundam Seed...but the book itself is a little lightweight, both physically and aesthetically.  The artwork is mostly of a fairly generic "collage-y" sort of look from DVD covers, magazine spreads, etc.  A few are pretty good, but it just doesn't feel as polished and appealling as the other three artbooks I got.  Also, the book itself is quite floppy and the pages are a MUCH lighter stock than I usually expect in an artbook...more like a magazine sort of stock than an illustration book.  Still, it was also a less-expensive book price-wise, so I guess it makes sense that the quality would be a little less.

Anime viewing has slowed down a bit lately.  I was way behind in AOD reviewing, so I've been focused on that.  Got Kino, Happy Lesson, DICE Season 1, and 2 volumes of Macross reviewed in the space of about 6 weeks.  Working on "Final Fantasy: Unlimited" now.  This'll be my first 20+ episode series to review in a while (DICE doesn't count), so it should be a challenge.  :)

V. excited for the Saiyuki OVA that was announced recently.  And very bummed that my subscription to ZeroSum is running out just when the Reload manga is getting so good. I can't afford to renew my subscription right now, and I was mainly getting it for Side B anyway.  Saiyuki was just a fringe benefit.  Still, at least I got my hard-copy of that hottie youkai Hakkai closeup before my time ran out.  :) 

Reading
My current reading is *STILL* Memories of Ice by Steven Erikson, which I started sometime before Christmas.  This book is just unending!  Not in a bad way...I'm actually enjoying it a lot.  Erikson is just awesome at this epic, larger-than-life storytelling, albeit with a strong side of rather gruesome imagery.  It's just that his books are such dense reads that I keep picking up manga or other lighter fare at times when I have a quick ten minutes to kill  (which seems to be most of my reading time lately). 

Theater
Went to the Reduced Shakespeare Company's new show, Completely Hollywood, last weekend.  This makes my 11th time seeing the RSC ( + 1 local theater group's performance of the Shakespeare show notable for me getting dragged up on stage to be Ophelia in the audience participation segment).  The show was great as usual, and I picked up the DVD of their Complete History of America (abridged) while I was there, so score.  :)

This weekend I have tickets for "Four Bitchin' Babes", which is most exciting for me because Dierdre Flint is part of the group now, and she's a real favorite of mine.  One thing I'm worried about is that my dad is coming, too.  I'm fretful that he'll have a bad time, since the whole point of this show is a kind of estrogen-heavy girl-centric humor thing.  But he was the one who expressed interest when I invited my mom, so it's his own fault.  :)

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Saturday, April 24th, 2004 12:20 am

I'm a huge theater-junkie.  Attending live theater is absolute nirvana for me - the biggest natural high imaginable - especially when it's a musical I love.  My coworkers probably think I'm insane because I've been yammering about my upcoming trip to see the new production of Sondheim's "Assassins" as if it were an all-expense-paid trip to Tahiti or something. (It opened this week, by the way, and reviews seem pretty good so far.  I'm hoping it'll run for quite a while so I can finagle a second trip to NYC after my current planned on in May).

ANYWAY, tonight wasn't Assassins, it was "Jesus Christ Superstar", a musical that's near and dear to my heart because it's one of my dad's favorite albums and the first musical I was ever exposed to.  I'd seen it three or four times before, but tonight was my first look at the new tour...one that's very different from the Ted Neeley/Carl Anderson tour my family was used to.  This version borrows heavily from the 2000 Broadway revival, and so uses a lot of modern dress and depicts Jesus and the apostles as peace-loving, graffiti-spraying rebels in a Jerusalem presented as a police state, complete with armored "stormtroopers".

The performers were all very impressive vocally.  Eric Kunze as Jesus hit all the requisite *Wow!* points, and added a few new ones, but provided some nice, understated half-spoken lines, too, that I liked.  His "Gethsemane" was phenomenal, and was especially great because it didn't have the screeching quality to the power parts that is so common.  Very intense, but controlled.    Lawrence Clayton and Natalie Toro, as Judas and Mary Magdalene also made the most of their big moments and although I wasn't 100% satisfied with Clayton as Judas (see below), his "I Don't Know How to Love Him" reprise was very moving.  A highlight of the show for me.  The only thing "off" for me regarding Mary Magdalene was that in this production, she isn't present during the Last Supper or the garden of Gethsemane...not arriving on stage in Act 2 until she tells Peter "It's what he told us you would do..."  (even though she wasn't present when Jesus told them that.)  Nitpicky, but it stood out for me.

My only real gripes with the show were that I didn't feel as strong a connection between the characters.  I wasn't feeling like Judas was really one of the gang with the apostles...like he's too outside, observing,  so the bond between him and Jesus that drives a lot of the emotional intensity wasn't quite there.  The actors were all fine, so this might have been me not connecting well with the actors, I dunno.  I just know that from very early on in "Heaven on their Minds", I was missing something there.

Pontius Pilate, in this version of the show, is a very imposing figure with a booming voice and aura of command, and this casting/directorial choice leaves me cold.  Pontius Pilate to me is a bureaucrat, a patrician...a "white collar" sort of guy.  When Pontius Pilate comes out looking as tough as any of his soldiers, and with this authorative, booming voice, the idea of him being cornered into going against his preferred action is a little silly.  The interaction with Jesus, trying to get *something* out of him to help appease the situation is also lacking because the look/feel of Pilate is so threatening.  Again, not a fault of the actor, but just a bad production decision, imo.  The recent JCS video based on the 2000 Bway took this approach with Pilate too, and I hated it then, too.

Anyway, those are minor quibbles, and I had a *fabulous* time seeing the show, and as always when I'm walking out of the theater, I found myself wanting to stop on the way out and pick up a few tickets for the next night. :)

 

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Thursday, December 11th, 2003 03:54 pm
I wish that 2004 would get here already!

I'm really, really, really looking forward to the new Broadway production of Sondheim's Assassins. It's the one Sondheim musical that I love love love love love and haven't seen yet. There are so many punch-in-the-gut powerful lyrics combined with equally moving melody. I want to buy tickets right NOW, but they don't go on sale until Feb. 23. It can't come soon enough.

Also of excitement is the fact that there are at least eight new books that I'm VERY eager for coming out in the first half of the year. Four of my current top five authors(Patricia McKillip, Guy Gavriel Kay, George RR Martin, and Carol Berg) have new works coming out in 2004. The only one missing is Paula Volsky, who is WAY overdue for a new release. :(