Phew...first major AOD review is up and no one's screaming that I suck, so that's a load off.
Recent Anime Viewing: ( Kodocha, Gunparade March, Ranma 1/2 )
Recent Reading:( Robert Asprin, Carol Berg, Patricia McKillip, Chaz Brenchley )
Currently reading Finding Serenity (essays on Firefly...some interesting, some not) and The Prydain Companion, a reference guide to Lloyd Alexander's Prydain books (which are to me as Tolkien's universe is to most other fantasy readers). I'm enjoying reading about how the various Prydain elements tie back to the Mabinogion and other Celtic myths. I was especially surprised to see a note mentioning that the "Sons of Don" are also known as the "Tuatha de Danaan"...Full Metal Panic reference! Whee!
Speaking of Prydain, went searching for fan-art the other day and found some GORGEOUS renditions of the characters:( Fan Art Links. Clicky-clicky. )
I've wrapped up three books in relatively short order lately and thought I'd put down a few thoughts. I splurged on a few authors that I've been hoarding for a rainy day, then followed up with a quickie Andromeda tie-in novel.
Son of Avonar by Carol Berg
Carol Berg's Rai-Kirah series was one of my absolute favorites of the last couple years, so I've been pacing myself in getting around to her other books. I have one standalone and her whole next trilogy on my to-be-read shelf. I opted to save the standalone and get cracking on the trilogy for this read.
To be honest, I was a bit disappointed. The concept is good enough, but felt a bit recycled from the first series (damaged protagonist saddled with protecting an even more flawed charge on a quest related to forgotten and forbidden magical heritages). There's nothing wrong with using a similar theme more than once, of course (if there was, the fantasy genre wouldn't exist), but something just felt lacking this time around. There were lengthy flashbacks which, in retrospect, contain necessary info. about the main character and the people she knew before the beginning of the story, but at the time, they just hurt the flow of the present story for me and didn't help me really connect with the main character any more than I already had.
That being said, I did enjoy the book. I especially liked the device of having the main character dealing with a person that she can't communicate with for much of the book. I expected the dilemma to be resolved quickly, so it was a pleasant surprise that the characters had to deal with it for a large chunk of the book.
Which, oddly enough, brings me to the second of the two authors.
The Wizard Hunters by Martha Wells
I first read Martha Wells at about the same time as Carol Berg, I love her work about the same, and I *also* have a standalone and a trilogy from her on my to-be-read shelf. (Actually book 3 of the trilogy is yet to be released). Again, I decided to get into the trilogy. And, oddly enough, this book ALSO features protagonists who can't understand each other's languages for much of the book. Funny. :)
Anyway, I think I enjoyed The Wizard Hunters a bit more. Wells is an author I count among a small group who work within a traditional fantasy structure, but branch out with regards to setting. The Wizard Hunters is set partially in a fantasy analogue of a World War II-era London, complete with dirigibles, pistols, Blitz-like bombing runs, etc. I really enjoy the opportunity to deal with characters who have a different frame of reference from the usual medieval take on the world, and this book is interesting because it actually mixes these more modern characters with a group of characters from a more traditional, non-industrial fantasy world, and the differences in viewpoints between the two worlds provides for some good conflict.
But I think the thing that really shines in the book is the characters. Wells works a lot more warmth and humor and general likeability into her characters than most fantasy authors I read these days. Characters who've grown up together have shared jokes and shared histories that add depth and realism to the relationships. Strangers who are thrust together get irritated or amused by the quirks of another civilization. It's the use of little emotions like that - irritation, mild amusement, etc. - that really give a sense of humanity to the characters. I love it. :)
Through the Looking Glass by Josepha Sherman
I've never been a tie-in reader. The inherent "nothing can change" credo of a tie-in book has always turned me off, since I felt like there couldn't be any serious depth to the story if I couldn't believe that the characters could change or grow or die or whatever. I was convinced otherwise with KRAD and Ethlie's books, and even Waystation's more typical adventure provided some good character work with Dylan discovering another dark secret from Commonwealth days, among other things. So, the verdict on this fourth Drom book?
Meh. It's a serviceable standalone episode of the series, I guess, but if this was the first Drom book I'd read, nothing here would've changed my mind about the relative worth of tie-in novels.
The Basic Gist: A space anomaly causes Dylan to get switched with a series of AU Dylan's. Weirdness ensues as Dylan experiences various versions of Andromeda and the real crew deals with various versions of Dylan.
The problem here is that the book doesn't really make much use out of the Drom universe. Dylan and Beka are in character enough, but the rest of the crew barely show up with more than exposition comments on either side of the spatial anomaly.
In addition, the alt-Andromeda's Dylan encounters are so generic that they could've been used in any captain-switching episode of any space series with only minor adjustments. Even the AU's set in dimensions where the Commonwealth never fell feel like generic, high concept AU universes...not something that came out of the actual history of the show. I'd have much rather the author take ONE serious AU and do a really good job exploring the differences and similarities in that one place rather than giving short shrift to a bunch of quickie versions. As it stands, the end result of the book for me is a big "So What?"
All my cavalier passing of credit card details around the 'net seems to have caught up with me. :( I've never been too hung up on buying things online - I figure it's just as easy for someone to get ahold of a credit card slip or receipt from the trash as it is to hack into an online transaction. But now someone's using my card number for some UK-based internet-phone service. And, of course, I only figure this out on a Friday (and New Years Eve, to boot), and can't start any gears moving to resolve the situation until the billing people get in on Monday. Aargh. Why are people so mean? (The card stealers, not the credit card people.)
I finally finished up Book 10 of the Wheel of Time series. It took me FOREVER. I kept getting bored and going off to read manga instead. There's not much to say about Jordan that hasn't been said, but I think my biggest gripe is the pure repetitiveness of the prose. There's only so many descriptions of women fussing with their clothing or their hair as a way to hide their emotions that a person can take. And I really don't need to know the exact hair color, height, magnitude of prettiness, and extent to which s/he fits the stereotypical traits of his/her nationality/ajah for every minor character who gets a name. And yeah, I *get* that Perrin can tell what people are feeling by scent. I don't need to know how that scent changes with every other sentence, thank you. I continue to like Mat, though, and so I guess I'm stuck with this series to the bitter end.
Anime-wise, I've fallen in passionate love with Beck. I can't really describe it very well except that it's a coming-of-age story that feels much more real and gritty and urban than anything I've seen before. The art style provides characters that are all designed to actually look Japanese, except for the characters who are actually SUPPOSED to be westerners, and the story has a strong "today" sort of feel to it, with Japanese teenagers steeped in western pop culture and, especially, western music. The central storyline deals with an awkward highschool boy who starts to find his footing in life when a series of chance circumstances lead him to discover a passion for rock music that ends up with him learning guitar and playing in a soon-to-be-hot (one presumes) indy rock band. There's more to it than that, but it's a really great show. :)
Theater: YAY! Avenue Q proves itself to be the irreverent-little-show-that-could. It scored (no pun intended) all three production-side musical Tony's: Best Book, Best Score, and Best Overall Musical. My other favorite, Assassins, also took home some big awards, with wins for Best Revival, Best Director, and Best Featured Actor. I've been thinking about trekking over to Chicago this Labor Day to see Michael Cerveris and Audra McDonald in Sunday in the Park with George...and they BOTH won Tony's last night, so now I really do have to. :)
Reading: Recently finished an older book (Door Into Fire by Diane Duane) that I read once when it was a little too old for me, so I didn't really remember much about it. It turned out to be pretty good. Now I gotta hunt up the other volumes, which I think are probably going to be out of print. :P Currently reading another book that I similarly didn't-quite-get as a kid: Jo Clayton's Changer's Moon. Too early yet to know if I'll enjoy it.
Anime: Continuing to catch up with Full Metal Panic, Descendants of Darkness, Fruits Basket, and Weiss Kreuz...I'm enjoying all these series very much, although Descendants and Weiss go quite over-the-top with their bad guys. (The eye-candy makes up for it, though.) I also am very intrigued by Gasaraki. Volume 1 didn't get into things deep enough to be sure, but the political maneuvering going on in the series is very different and surprisingly "real world" for a mecha-show. I wouldn't hesitate to recommend it to mech-fans, even just based on one volume. Finally, I'm drop-dead OBSESSED with Wolf's Rain airing on Cartoon Network. What a fantastic, fantastic, fantastic series. Nice, steady story development and a mix of characters that keeps me interested in everyone - not just the wolves.
Movies: Oh, forgot that I also went to see ...Azakaban on opening night. Some people have no brains when it comes to bringing children to the theater (If 9-year-old Billy *must* see the movie, find a sitter for 3-year-old Janie, for cryin' out loud!!). Besides those sorts of problems, I loved the movie. The kids have grown into their rolls so nicely, and this adaptation felt so much more *REAL*...the script allowed them to talk and interact like KIDS (entering teen-dom) which, combined with the chemistry they've developed, gave the movie a good core. The Harry/Lupin and Harry/Sirius chemistry were great, too. Looking forward to seeing those two actors again. I hope they find a time-freezing machine to allow them to use Daniel Radcliffe through Order of the Phoenix...he's come a long way since the first movie, and handles Harry's more mature moments in this movie really well.
So, I went into the latest Andromeda book (Waystation, by Steven McDonald) with a little trepidation. The first Drom book was an easy win because it visited pre-drom backstory (always a good thing) and was written by an author I'd heard good things about. The second one was an easy win because, hey!, written by a series writer. This was the first book that a) I wasn't familiar with the author, and b) was firmly set in the post-RHW Drom-verse. Oh, and c) while I was waiting to buy the book, I turned to a random page and ended up at a scene where Dylan hauls off and slaps Beka over something. Given (a) and (b), this briefly read moment didn't give me stellar confidence that the author knew these characters. :) (Happily, there was a reason for the scene in context, and Dylan wasn't just being written as an ass for no reason. Yay! :) )
I have to say, I was pleasantly surprised. Waystation offers a solid "coulda-been-an-episode" plot with some quite successful character- and universe-building elements. The focus of the book is primarily on Trance (gold, although purple-girl puts in an appearance or two) and visits some of my favorite territory for Dylan: finding out about the shadowy corners that existed in the original Commonwealth. Gold Trance is handled well, and it's refreshing to get inside her head and not have all the mystical mumbo-jumbo coming out of it...I feel like I know the character better now, although I'm still not sure that she could ever work as well as the real Trance. Dylan is not drawn in demigod mode, although he tossed around "It's never easy" too much for my taste. (That phrase just rubs salt in the wound for me every single time.) The rest of our main cast all act and sound right in their supporting roles and get plenty of "screen time", avoiding the "Trance-and-Dylan" show that the tv series has become. I also quite liked a couple original characters who joined Andromeda's crew for this episode. Much of the action of the book takes place on board Andromeda, so adding new folks into the mix kept the witty banter from getting too stale.
It's definitely a few notches above "Gardens of the Moon". In Vol. 2, Erikson maintains the strengths from that first book: a dirty, gritty, real-feeling universe, complex political situations that stem from a deep, complicated backstory, and characters who deal with the world like real people...just getting by the best they can under impossible situations. But he also avoids some of the excesses of the previous volume. In Book 1, the reader was often left floundering with the sheer quantity of important characters and situations...and just when you'd gotten a grasp of one setting after 100 pages or so, the author picked you up and dropped you into an equally important situation that you had to learn all over again. It was pretty daunting. Book 2 still has a lot of characters and a lot of complexity, but the author wisely sticks with only a handful of main viewpoint characters, and moves around between them frequently enough that you never forget what was going on in any of the individual subplots.
And the subplots themselves are all much more clearly entwined among the main plot. The story tells of how each of our viewpoint characters ends up getting involved with an explosive desert rebellion. Not all of them are directly involved in the rebellion, but all of them wind up in the desert and having to deal with the situation in one way or another, with their actions often indirectly affecting other main characters along the way.
Overall, the book was a great read...one of the meatiest, most enjoyable "big fat fantasy" novels I've read in a long time.
Finally finished The Briar King. A very, very enjoyable book. I'm wishing I had put it a bit lower on my to-read list, now, because the next volume in the series isn't due out until late summer and I'm anxious to continue.
The setup of the series is a world where for many years humanity was enslaved by a race called the "Skasloi". With the help of powerful, apparently forbidden magics, humanity revolts against their masters and takes the world for its own, but not without a final warning from the Skasloi that there will be a price to pay for the power they've used. Several thousand years later, the story picks up with odd events stirring in the empire of Crotheny - political crises are brewing, a deadly monster out of myth is found in the king's forest, accompanied by horrible murders of a more man-made sort. It's clearer and clearer as the story moves on that the time for comeuppance is arriving, but memory of the threat has faded to the stuff of nursery rhymes and superstition. A mishmash of characters get caught up in events: the headstrong daughter of the king, a gruff holter in the king's forest, a novice monk, a young knight, a brash swordsman.
I've seen this book compared to George RR Martin's "Song of Ice and Fire" series, and I guess the comparison is an apt one. Like GRRM, Keyes uses multiple viewpoint characters each with their own smaller drama to play out, practically untouched by other characters, but each piece forming an important part of the whole. Like GRRM, Keyes isn't afraid to shake things up. By the end of this first novel, the landscape of the series looks much different than it did at the beginning, leaving me eager to find out where he could go from here. I think the comparisons, overall, are fair and favorable. For differences, "The Briar King" has (so far) a somewhat smaller stage than ASOIAF, with fewer important named characters to keep track of and moderately less complexity to the political intrigue side...but it also makes rich use of more elements of magic and myth, with the political climate more of a side-story.
Anyway, the very biggest thing I took away from Keyes' previous fantasy was a deep admiration for his use of language, and it's readily evident in this series, too. I can't explain it very well. It's nothing too over-the-top or verbose or flowery - he just really has a knack for picking words that evoke strong, concrete imagery without feeling like he resorted to a thesaurus to do it. Precise, straightforward, and perfect. Even the invented words - which are frequent, and would normally annoy the heck of me - work perfectly in the context of the story. Close enough to real-world languages, but far enough away to set this pseudo-medieval fantasy world apart from other, more mundane examples of the type.
Highly recommended.
I finished The Broken Places. (Enjoyed it. Great character work, and lots of very nice world-building-type revelations.) But I haven't really gotten very far on anything since then. I've been slowly working through The Lord of the Rings, which counts I guess, but it's something of a special project. I've never really been very fond of Tolkien's writing style, but wanted to avoid the temptation to skip paragraphs while rereading the books, so I've been reading them aloud to myself. I've always liked reading out loud, and this gives me a way to really experience the language and characters more fully than I have on past reads. I'd just finished Fellowship when the ROTK movie hit theaters, and I've been working on The Two Towers since. But Christmas and movie-going put a crimp in things.
ANYWAY, I did just start a new book, The Briar King by Greg Keyes. I was VERY excited when this book was released. His first fantasy The Waterborn is a huge favorite of mine with some beautiful imagery, but since that book and its sequel, Keyes has focused on an alt-history (VERY alt) series that I wasn't able to get into, and Star Wars books. The Briar King is his return to a more "traditional" fantasy. I'm not very far yet, and so far the language that I liked so much in Waterborn hasn't made an appearance, but I'm past the prologue material and getting into the meat of the story, and it looks pretty interesting.
I'm really, really, really looking forward to the new Broadway production of Sondheim's Assassins. It's the one Sondheim musical that I love love love love love and haven't seen yet. There are so many punch-in-the-gut powerful lyrics combined with equally moving melody. I want to buy tickets right NOW, but they don't go on sale until Feb. 23. It can't come soon enough.
Also of excitement is the fact that there are at least eight new books that I'm VERY eager for coming out in the first half of the year. Four of my current top five authors(Patricia McKillip, Guy Gavriel Kay, George RR Martin, and Carol Berg) have new works coming out in 2004. The only one missing is Paula Volsky, who is WAY overdue for a new release. :(
I decided to start blogging as a way to record commentary of books, movies, etc. I learned long ago that most of my friends and family have no interest in the same things I enjoy, so I've stopped trying to share with them. And I usually don't have deep enough thoughts to submit them in a more "official" BBS or newsgroup setting. This'll give me a place to prattle without the pressure to be interesting or worthwhile.
So, right now, I'm reading The Broken Places by Ethlie Ann Vare and Daniel Morris. It's a TV tie-in to what used to be a favorite show of mine, Andromeda. The show sucks now, and I'm not usually jazzed by tie-in novels, but I really enjoyed the first Drom book (Destruction of Illusions by Keith R.A. DeCandido) and Ethlie was a writer when the show was good, so this title was worth a look.
I'm liking it very much. As is to be expected, the character's voices are spot on, and that's one of the chief reasons to read this sort of book, I think - to be able to "watch" the story play out in your head complete with the actors you're so familiar with. At least that's why I enjoy it. Not that the plot is incidental or anything, but it's difficult to look at that objectively. Would the plot be good without the Andromeda ties? No idea. But it's certainly good at capturing what made Andromeda good in the first place: witty, intelligent characters, each with his/her own dysfunctional charm, and a sci-fi setup that's got some meat to it.